We keep a calm observation of the various appearances derived from the rapid development of society, do not blindly follow, but tend to examine our inner selves and respond to the true likes and dislikes of our inner selves. Popularity implies a beginning and also suggests an end; popularity and obsolescence are synonymous. Popularity is something to be reflected upon, and something we tend to avoid.

The rational structure becomes the sensual bearing. Let purity and relaxation become the tone of the space, to collect all the stories of the past and the future. We do not want to reflect the "false construction of architectural form", but to show the experience and aesthetics of real individuals, the space is us. Detach ourselves from the solo expression or even performance of the form, to feel the touch of each material, the change of light and space, and let time leave traces in the space, so as to achieve a certain degree of eternity.

We have built an idealistic private museum for ourselves, providing a suitable accommodation for our collection, and the protagonists of the space are our stories. Out of respect and love for Vincent Van Duysen, we found the hardware shop he often works with during our travels in Belgium and purchased the same metal pulls to install in our own space.

Because of the love and passion for concrete things that these interesting experiences happen and are attached to concrete objects that float across the ocean to one's space. They can always take us back to a certain pleasant time in the past, and remind us of our original intention and love for design. We can not only reminisce about the past here, but also draw inspiration from it, which is a world where material and spiritual wanderings can co-exist. Space is the presentation of self and the search for self.

The layout of the space is not complicated, we used the water bar, bathroom and storage room  as a space segmentation after integrating them. One side is the front room and office space, and on the other side is the negotiation space and office space for the two main managers. The clear logic of the spatial layout contributes to the simplicity and efficiency of the working scene. The vertical space, the interaction between horizontal spaces, and the switching of modes within the space all provide unlimited possibilities for this studio space.

We understand how difficult it is to get a project off the ground, and we strive to restore the initial design thinking in every project. Once a design idea is established, we will do our best to restore every idea, and it is also a kind of self-pleasure and satisfaction to watch the scheme being restored step by step. We enjoy the process of generating ideas from collision, converting ideas into drawings, and shaping drawings into entities.