Pablo Sahuquillo is an illustrator, comic author, and animated background designer based in Valencia. His work has appeared in acclaimed productions such as the Oscar-nominated film Robot Dreams, the Goya Award-winning animation Mariposas Negras, and several ongoing series currently airing on Fox. As a visual artist, Pablo also teaches in the Master of Animation program at the Universitat Politècnica de València, while actively developing his own comic projects. He has published La noche triste alongside several independent fanzines. Throughout his career, "the image" has served not only as a narrative medium, but as an evolving method of perceiving and constructing space.In this collaboration with the architecture studio SahuquillodeArriba, Pablo Sahuquillo transforms his 55-square-meter residence into a visual narrative—unfolding like one of his daily sketchbook pages: organically structured, intuitively sequenced, and rich with emotion and playfulness in every detail.

"From the very beginning, this project was an exploration—an attempt to understand my relationship with space," Pablo tells us. "For me, my inner world is a shifting mix of tastes, needs, and visions that evolve with time and each project. I believe it is precisely this constant transformation that allows a home to become such a deeply personal creation."To that end, he was fully involved in the design process—from reviewing architectural plans to contributing hand-drawn sketches—translating his own visual language into the contours of a home.

The space itself offered fertile ground for this exploration. From the very beginning, the architects from SahuquillodeArriba accompanied Pablo in surveying the property. Despite its compact 55-square-meter layout, the home revealed remarkable potential: generous ceiling height, ample natural light, and traces of historical elements—exposed beams, vaulted ceilings, and original Valencian floor tiles, all waiting to be uncovered.The location was also carefully chosen: nestled near the historic center and the Botanical Garden, it is a hidden, enchanting pocket of the city that still preserves a strong sense of community. A place where one can retreat from the city’s fast pace and reconnect—with nature, and with oneself.

When asked to describe the style of his space in three words, Pablo replies: “restrained, eclectic, and playful.”“I wanted the space to convey a playful spirit within formality,” he explains. “While maintaining a sense of structure, I also hoped for moments of surprise—details and colors that gently break the seriousness.”Pablo notes that the choice of color was especially important to him:“Red is a warm tone that, when paired with wood, evokes the symbolic warmth of home. The large window filled with greenery reflects my longing for nature and the outdoors. I’m particularly drawn to the tension created by the complementary contrast between red and green. To balance that interplay, we introduced yellow and blue tones into the sofa—intermediate colors that bring harmony to the composition.”

One of the key elements Pablo envisioned from the very beginning was the gallery wall in his living room.“I’ve always admired the wall of paintings at my great-aunt Irene Llinares’ home—she was a painter,” he recalls. “As a child, I was fascinated by it. I remember standing in front of it, wondering who all those artists were, and how she came to own their original works.”

“I wanted to create a space to showcase the work of artists I deeply admire,” Pablo says.The result is a collage of inspirations and collected pieces—each artwork carefully selected, framed, and given a place on the wall over time. “Every piece carries its own little story,” he adds.It’s something truly unique, a reflection of the collector’s eye and character. To look at it is not only to see the art, but to discover fragments of the homeowner’s personality.

The 55-square-meter space was envisioned as a highly concentrated and precisely calibrated environment for both living and creating. For Pablo, it needed to contain not only the routines of daily life, but also serve as an extension of his creative path and inner world—a projection of spirit as much as function. Among the specific requirements was the need to house over 400 comic books within this compact footprint. This became not only a spatial challenge, but a test of visual order and rhythm. What emerged was more than a stylistic statement—it was a structural logic, carefully composed.

The entire home is organized around a central hallway, with contrasting architectural gestures on either side that generate spatial tension. On one side runs a sweeping, curved bookshelf that functions as both a visual anchor and a practical spine—almost sculptural in form, it gently draws the eye from the entrance toward the far end of the living room.What’s unexpected is that hidden behind this bookshelf lies the bathroom: a self-contained, intimate world where plants hang from the ceiling and natural light pours in through a glass panel overhead.

Opposite this, on the other side of the hallway, a suspended volume hovers at a height of 2.60 meters. While concealing equipment and infrastructure, this elevated structure also redefines the boundaries of the kitchen and studio through its height differential. It was conceived as a form that is filled above and open below—allowing the space to breathe freely and remain visually connected to the rest of the home.

“My studio is a capsule space, separated from the rest of the house—designed to fully support my creative process,” Pablo explains.The studio is carefully arranged to ensure optimal natural light and ventilation, while avoiding the need to face a wall during online teaching sessions. It’s also conveniently positioned near the kitchen, so he can easily wash his brushes after painting. Its boundaries are defined by sliding doors that allow the space to open up for connection or close off for focus, depending on the moment.

It’s not hard to spot the playful touches scattered throughout Pablo’s home. He shares with us that he recently signed up for a ceramics course, hoping to explore creative mediums beyond pencil and paper. It was a joyful, exploratory phase—one in which he began to experiment with the dialogue between utility and ornamentation, which he sees as the very essence of craft.“In that creative freedom, some wild and absurd ideas began to take shape—like a toilet paper holder, or a few unconventional light fixtures,” Pablo says. “Eventually, we took it a step further: my mother — still an active ceramicist and an incredibly talented artist—crafted the final pieces herself, including a hand-shaped pendant lamp and small elements like custom door handles.”

For Pablo Sahuquillo, building a home is a never-ending exercise. He is currently planning to construct a new residence in his hometown of Campillo de Altobuey—a place deeply connected to nature, where life moves at a slower pace. This future space is also envisioned to serve as a shared home for family living.He cites César Manrique as a vital source of inspiration—an artist who approached the island as a unified work of art, and whose philosophy profoundly shaped the way Pablo sees and engages with the natural environment.

Pablo shared with us, “My philosophy of life is constantly evolving—more and more toward a natural, ecological way of living. In future projects, the most important thing will be the location. I want to understand the wisdom of the environment first, and then engage in a dialogue with it, never against it.”With this vision in mind, he is currently working with an architect and the local cultural department to co-author a book on vernacular building practices in his region, exploring sustainable ways of inhabiting space.For Pablo, drawings are fluid, and so is life. Every space and image he creates is part of an ongoing journey of exploration.

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