YINJISPACE use media professional’s unique perspective,try to explore the essence of life behind the design works.

© logo 粤ICP备19077098号

YINJISPACE use media professional’s unique perspective,try to explore the essence of life behind the design works.

© logo 粤ICP备19077098号
AW Design

Nanjing Garden

The nature of trees and grasses are the same, but there could be a lot of dimensions in their nature. Concrete could be natural, interstellar space is natural, and so does the nature of human beings. In the city, you must have a new nature that might be created by yourself. ——Isamu Noguchi

This is a smooth place for space or time. It separates daily behavior and perception, blank, fracture, float, dissociation, cut, concatenation in a strange way, expand the existing context, remove the current meaning, and create a dematerialized landscape. However, the purpose is not for alienation, but to release the energy of perception completely in the pure vacuum atmosphere beyond matter, to touch a kind of immaterial experience in an absolute way.

The space for beauty salon and photography, is the most important two functional requirements in the space. One is designed in the quiet internal area, which is about how to achieve the beauty as a single in normal and realistic status; The other is designed in the open public area, which is about how to express the understanding and perception in the way of photography. In the post-modern society with advanced technology, the purity of beauty should be treated correctly and be perceived appropriately.

The entrance is alienated itself from the existing frame by the inward tilt, making the frame of the construction shown like the spatial coordinates. The Angle formed between the space facade and the "coordinate system" implies the angular deviation between reality and surrealism, so as to create a polysemous space entrance. Although the space is like a huge sharp existence inserting into the original building cavity with abnormal shape, it forms conversations with lifestyles of the surrounding and even urban space through a series of space organization methods which regard perception as its core, maintains the adaptability and flexibility to future changes, which also indicates that alienation from daily life is exactly the way to go back to our daily life better.

As a space to provide the pioneer photographer with the creation field, it is at a more ideal status without making forced narrative about specific events. It means more narrative rights of the events are transferred to the photographers, which can make it possible for photographers to create their own instant events, that is, to trigger the perception of the event through the instant status between person and the subjects to show the creative of this field.

A dynamic and uncensored space system has been shown here, without any clear order and direction of the move in space or any corresponding relationship between modeling space and its functions. To hang around, to act, to sit casually, to have conversation with another “you”.  The wandering emotions are captured by the objects, and the spirituality is ultimately alienated from the material itself to obtain the most effective response. The red shimmering objects, floating in the blue darkness of the night, are like space capsules sunken in the ground; the geometric blocks lying on the horizontal ground and the primitive metal devices, which can trigger the inner perception of disorder and indicate that art has returned to its most primitive status after repeated sublimation.

The growth of space is not just the growth in the dimension of time, but also reveals a kind of growth along with nature and participation in the entire process of naturalization of space. As Isamu Noguchi said, "Concrete could be natural, interstellar space is natural."  In such a context, the "landscape" of geometric blocks is a real landscape, and the "garden" built artificially in the interior is also a real garden.

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