Henry once mentioned that eclecticism is the understanding and integration of "opposition" and "contrast". Space creates boundaries, yet it also offers endless integration and possibilities. In this project, the boundaries between tradition and modernity, as well as between the East and the West, become blurred. I hope that here you will not be bound by labels, but only touch the interwoven traces of life and time... A home without a clear style is often regarded as "a mishandling", yet eclecticism precisely endows this vague possibility. You will find that different materials, elements and styles collide and blend here in an surprisingly harmonious way, far exceeding the expected conflicts. It breaks the framework of style, allowing the home to transcend its constraints and gain more freedom and expression from then on.

When you push open the teak sliding door with Chinese aesthetics, your eyes will remind your brain that this is an extension design of the cabinets from the Western kitchen to the kitchen. In addition to the lattice-style Burmese teak cabinet doors, we will also experience the natural texture of the German Porcelaingres rock plate countertop. Once inside, the U-shaped movement line is natural and smooth. Every action from washing, cutting and preparing to cooking is completed smoothly without any redundancy.

It seems that the senses of the masters are all on the same frequency, and the living room is always set up in a circular circulation pattern. Here, we can sense the understatement and power exuded by the green modular sofa from Denmark &Tradition, 7,202 kilometers away. The "frame-like" integration of the Samsung wall-mounted TV with the wall and the depth and layering created by the AKARI 75A chandelier suspended in the air. The soft light gently fell on the sofa and coffee table, and with the natural light flowing in from outside the window, the space was filled with warmth and tranquility in every corner.