yinjispace

INTERIOR
Kongyu Design Studio
PHOTOGRAPHY
Feifei
EDITOR
Gina
Collection

We are in communication with the owners. I hope that the "scenery" at home will blindly pursue the current style. Dig deep into your own preferences. Through the "wind" of freedom, natural decoration to find your true self.The layout is more square, neat and transparent. At the same time as the maximum reserved space function is used. Let the overall flow be clear，The design of the double migration is like a wind around the beam, connecting the space.

The living room adopts a curved sofa, which is analogous to the meandering water system, suggesting the dynamics of the wind passing through the water, The void in the travertine wall is a passage for the "wind", and the wood-clad wall surface flows like water. The two collide with a rough and warm chorus, The scenery outside the window is carried by the rhythm of the wind carried by the branches, During the period, there was the freedom and precipitation of the wind, forming a unique aesthetic space. The through-top wooden handle of the electrical cabinet is the scale of the vertical fall of 'Luofeng', They are arranged like guqin strings, and when the fingers run over them, It seems that you can hear the sound of the wind passing through the narrow alleys of the old city of Luoyang.

The boundary between the open kitchen and the dining room, The fusion of water and shore - the countertop is made of Bulgari stone, like a freeze frame of water waves, and the wooden cabinets are an extension of the riverbank, And the wind travels through it, with the poetry of fireworks. When the door opens and closes, the space is divided into dynamic 'picture screens', The objects placed on the shelves are like Bai Juyi's 'random stacked poems' in the study of Luoyang Daofang; In the evening, the four-fold door cuts the sunlight into diamond-shaped spots, and Scarpa's stacking casts jagged shadows like the Luoyang city walls; At night, the black floor is hidden in the dark, and only a lone lamp is left on the desk, like a fishing fire in Luobin's night.

The pre-loved wardrobe acts as a "screen for the wind", separating the master bedroom from the master bathroom, The simple sheets are not the cold of modern minimalism, and when the folds of the hand are brushed, it becomes a miniature landscape of 'wind through the wheat waves', When the fabric fibers are revealed in the holes of the travertine, they form a "rigid and soft dialogue" with the wood grain of the wardrobe.

The master bathroom is separated from the cloakroom by a door, separating the wooden warmth of the cloakroom from the dark tones of the master bathroom. After the door was closed, the black floor tiles instantly turned into the water surface of the Luo River in the middle of the night, leaving only the suspended toilet like a lonely boat anchoring the shore, The structure of the marble niche is reminiscent of the storage compartment of the medicine prescription cave of the Longmen Grottoes. But what is displayed inside is no longer Buddhist scriptures, but the glass bottles and jars of modern people.

The strip-shaped hollowing of the cabinet door is no longer a simple ventilation design, but a 'wind comb' that combs the air through the hall into a parallel air flow. The metal handle resembles a brass buckle at the end of the comb, preventing the wind from completely dissipating, The two form a perfect balance between mechanics and aesthetics. Just as the ancient city of Luoyang used copper nails to fix the wooden buildings against the thousand-year-old north winds, this design combination realizes the symbiosis of practicality and poetry.

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